{"id":1318,"date":"2024-10-31T13:33:35","date_gmt":"2024-10-31T05:33:35","guid":{"rendered":"https:\/\/hk.cnexdoc.com\/en\/?post_type=themed-screening&#038;p=1318"},"modified":"2025-02-07T13:25:00","modified_gmt":"2025-02-07T05:25:00","slug":"spectrum-of-documentay","status":"publish","type":"themed-screening","link":"https:\/\/hk.cnexdoc.com\/en\/themed-screening\/1318\/","title":{"rendered":"Spectrum of Documentary : Appreciation and Film-making Sharing Workshop"},"content":{"rendered":"<p><strong><em>Spectrum of Documentary : Appreciation and Filmmaking Sharing Workshop <\/em>(\u559c\u820a\u5275\u65b0: \u7d00\u9304\u7247\u7684\u5275\u4f5c\u8207\u8cde\u6790)<\/strong>\u00a0 is a program to let audiences explore more on the spectrum of Documentary films. In this program, a total number of 24 Documentary films were selected to have screenings from November 2022 to April 2023. CNEX also invited film critics and film directors to attend sharing for the audiences.<strong><br \/>\n<\/strong><\/p>\n<p>There were various topic of screenings in each month, including:<\/p>\n<h3><strong>November 2022 : &#8220;Spaces&#8221;<\/strong><\/h3>\n<p>I Am So Sorry (2021) &#8211; Director: Zhao Liang<\/p>\n<p>Beautiful Things (2017) &#8211; &#8211; Director: Giorgio Ferrero Federico Biasin<\/p>\n<p>Racetrack (1985)\u00a0 &#8211; Director: Frederick Wiseman<\/p>\n<p>Bamboo Theatre (2019) &#8211; Director: Cheuk Cheung<\/p>\n<p><a href=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/11\u6708-\u8d99\u4eae_1673321457.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter wp-image-1342 size-large\" src=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/11\u6708-\u8d99\u4eae_1673321457-1024x768.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/11\u6708-\u8d99\u4eae_1673321457-1024x768.jpg 1024w, https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/11\u6708-\u8d99\u4eae_1673321457-300x225.jpg 300w, https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/11\u6708-\u8d99\u4eae_1673321457-768x576.jpg 768w, https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/11\u6708-\u8d99\u4eae_1673321457-1536x1152.jpg 1536w, https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/11\u6708-\u8d99\u4eae_1673321457.jpg 1600w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/11\u6708-\u912d\u653f\u6046_1673502171-scaled.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-1343 size-large\" src=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/11\u6708-\u912d\u653f\u6046_1673502171-1024x576.jpg\" alt=\"\" width=\"800\" height=\"450\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h3><strong>December 2022 : &#8220;Images of a group of people&#8221;<\/strong><\/h3>\n<p>Dark Red Forest (2021) &#8211; Director: Jin Hua Qing<\/p>\n<p>Cop Shop II (2010) &#8211; Director: Zhou Hao<\/p>\n<p>The Gleaners and I (2000)\u00a0 &#8211; Director: Agnes Varda<\/p>\n<p>The Last Moose of\u00a0 Aoluguya (2013) &#8211; Director: Gu Tao<\/p>\n<p><a href=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/\u91d1\u83ef\u9752\u9673\u667a\u5ef7_1686294459.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-1344 size-large\" src=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/\u91d1\u83ef\u9752\u9673\u667a\u5ef7_1686294459-1024x768.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/\u91d1\u83ef\u9752\u9673\u667a\u5ef7_1686294459-1024x768.jpg 1024w, https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/\u91d1\u83ef\u9752\u9673\u667a\u5ef7_1686294459-300x225.jpg 300w, https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/\u91d1\u83ef\u9752\u9673\u667a\u5ef7_1686294459-768x576.jpg 768w, https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/\u91d1\u83ef\u9752\u9673\u667a\u5ef7_1686294459-1536x1152.jpg 1536w, https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/\u91d1\u83ef\u9752\u9673\u667a\u5ef7_1686294459.jpg 1600w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/12\u6708-\u9673\u5fd7\u83ef20221230_210552-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-1667\" src=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/12\u6708-\u9673\u5fd7\u83ef20221230_210552-1024x576.jpg\" alt=\"\" width=\"800\" height=\"450\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h3><strong>January 2023:\u00a0 &#8220;Stories of the Minority groups&#8221;<\/strong><\/h3>\n<p>A Rolling Stone (2012) &#8211; Director: Shen Ko-shang<\/p>\n<p>Life, Animated (2016) &#8211; Director: Roger Ross Williams<\/p>\n<p>Exodus (2017)- Director: Elias Matar<\/p>\n<p>The Mole Agent (2020) &#8211; Director: Maite Alberdi<\/p>\n<p><a href=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/1\u6708-\u66fe\u8087\u5f18_1686297059-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-1346\" src=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/1\u6708-\u66fe\u8087\u5f18_1686297059-1024x576.jpg\" alt=\"\" width=\"800\" height=\"450\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h3><strong>February 2023: &#8220;Biography Documentaries&#8221;<\/strong><\/h3>\n<p>Tokyo-Ga (1983) &#8211; Director: Wim Wenders<\/p>\n<p>This Is Not A Movie (2019) &#8211; Director: Yung Chang<\/p>\n<p>Master Sheng Yen\u00a0 (2020)- Director: Chang Chao-wei<\/p>\n<p>Free Solo (2018) &#8211; Director: Jimmy Chin, Elizabath Chai Vasarhelyi<\/p>\n<p><a href=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/2\u6708-\u67e5\u67cf\u6717_1686303743-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-1348\" src=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/2\u6708-\u67e5\u67cf\u6717_1686303743-1024x768.jpg\" alt=\"\" width=\"800\" height=\"600\" \/><\/a><\/p>\n<p><a href=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/1\u6708-\u5f35\u91d7\u7dad_1686306400-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-1347\" src=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/1\u6708-\u5f35\u91d7\u7dad_1686306400-1024x576.jpg\" alt=\"\" width=\"800\" height=\"450\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h3><strong>March 2023: &#8220;Self-documentaries&#8221;<\/strong><\/h3>\n<p>Dear Mother, I Meant to Write About Death (2022) &#8211; Director : Siyi Chen<\/p>\n<p>Sing Me a Lullaby (2020) &#8211; Director: Tiffany Hsiung<\/p>\n<p>Four Journeys\u00a0 (2021)- Director: Louis Hothothot<\/p>\n<p>Evelyn (2018) &#8211; Director: Orlando von Einsiedel<\/p>\n<p>Small Talk (2016) &#8211; Director: Wang Hui-chen<\/p>\n<p><a href=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/3\u6708-\u9ec3\u60e0\u5075\u6f58\u9054\u57f9_1686543559-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-1350\" src=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/3\u6708-\u9ec3\u60e0\u5075\u6f58\u9054\u57f9_1686543559-1024x768.jpg\" alt=\"\" width=\"800\" height=\"600\" \/><\/a><\/p>\n<p><a href=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/3\u6708-\u55ac\u5955\u601d_1686540780.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-1349\" src=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/3\u6708-\u55ac\u5955\u601d_1686540780-1024x680.jpg\" alt=\"\" width=\"800\" height=\"531\" srcset=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/3\u6708-\u55ac\u5955\u601d_1686540780-1024x680.jpg 1024w, https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/3\u6708-\u55ac\u5955\u601d_1686540780-300x199.jpg 300w, https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/3\u6708-\u55ac\u5955\u601d_1686540780-768x510.jpg 768w, https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/3\u6708-\u55ac\u5955\u601d_1686540780-1536x1020.jpg 1536w, https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/3\u6708-\u55ac\u5955\u601d_1686540780.jpg 1809w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h3><strong>April 2023: &#8220;Experimental Films&#8221;<\/strong><\/h3>\n<p>Forgetting Vietnam (2015) &#8211; Director: Trinh Minh-ha<\/p>\n<p>Leviathan (2012) &#8211; Director: Lucien Castaing-Taylor, V\u00e9r\u00e9na Paravel<\/p>\n<p>Sans Soleil\u00a0 (2020)- Director: Chris Marker<\/p>\n<p>Short films by Super-8 Movie Camera and Digital Cameras- Director: Anson Mak<\/p>\n<p><a href=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/4\u6708-\u9ea5\u6d77\u73ca\u6f58\u5f8b_1686556763-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-1341\" src=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/4\u6708-\u9ea5\u6d77\u73ca\u6f58\u5f8b_1686556763-1024x768.jpg\" alt=\"\" width=\"800\" height=\"600\" \/><\/a><\/p>\n<p><a href=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/4\u6708-\u5b89\u5a1c_1686546052-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-1340\" src=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/4\u6708-\u5b89\u5a1c_1686546052-1024x768.jpg\" alt=\"\" width=\"800\" height=\"600\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<table style=\"border-collapse: collapse; width: 99.0858%; height: 228px;\">\n<tbody>\n<tr style=\"height: 23px;\">\n<td style=\"width: 100%; height: 23px;\">Sponsor by :Hong Kong Arts Development Council<\/td>\n<\/tr>\n<tr style=\"height: 113px;\">\n<td style=\"width: 100%; height: 113px;\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1287\" src=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2023\/07\/hkadc_1673320025.png\" alt=\"HKADC\" width=\"321\" height=\"105\" srcset=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2023\/07\/hkadc_1673320025.png 321w, https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2023\/07\/hkadc_1673320025-300x98.png 300w\" sizes=\"(max-width: 321px) 100vw, 321px\" \/><\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 100%; height: 23px;\">Supporting Community: Hong Kong Film Critics Society<\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 100%; height: 23px;\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1320\" src=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/1673320015_film-critics.jpg\" alt=\"\" width=\"269\" height=\"105\" \/><\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 100%; height: 23px;\">Arts and Cultural Centre, HKCC Lee Shau Kee School of Creativity\u00a0<\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 100%; height: 23px;\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1321\" src=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/1673320035.png\" alt=\"\" width=\"343\" height=\"112\" srcset=\"https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/1673320035.png 343w, https:\/\/hk.cnexdoc.com\/en\/wp-content\/uploads\/2024\/10\/1673320035-300x98.png 300w\" sizes=\"(max-width: 343px) 100vw, 343px\" \/><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n","protected":false},"featured_media":1298,"template":"","projects-years":[30,33],"themed-screening-cate":[26],"class_list":["post-1318","themed-screening","type-themed-screening","status-publish","has-post-thumbnail","hentry","projects-years-30","projects-years-33","themed-screening-cate-themed-screening-programme-archive"],"acf":[],"_links":{"self":[{"href":"https:\/\/hk.cnexdoc.com\/en\/wp-json\/wp\/v2\/themed-screening\/1318"}],"collection":[{"href":"https:\/\/hk.cnexdoc.com\/en\/wp-json\/wp\/v2\/themed-screening"}],"about":[{"href":"https:\/\/hk.cnexdoc.com\/en\/wp-json\/wp\/v2\/types\/themed-screening"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hk.cnexdoc.com\/en\/wp-json\/wp\/v2\/media\/1298"}],"wp:attachment":[{"href":"https:\/\/hk.cnexdoc.com\/en\/wp-json\/wp\/v2\/media?parent=1318"}],"wp:term":[{"taxonomy":"projects-years","embeddable":true,"href":"https:\/\/hk.cnexdoc.com\/en\/wp-json\/wp\/v2\/projects-years?post=1318"},{"taxonomy":"themed-screening-cate","embeddable":true,"href":"https:\/\/hk.cnexdoc.com\/en\/wp-json\/wp\/v2\/themed-screening-cate?post=1318"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}