{"id":1429,"date":"2024-09-29T14:53:47","date_gmt":"2024-09-29T06:53:47","guid":{"rendered":"https:\/\/hk.cnexdoc.com\/en\/?post_type=news&p=1429"},"modified":"2025-02-07T14:13:52","modified_gmt":"2025-02-07T06:13:52","slug":"ccdf-2024-program-highlights","status":"publish","type":"news","link":"https:\/\/hk.cnexdoc.com\/en\/news\/1429\/","title":{"rendered":"2024 CCDF-15 & IFG-4 Program Highlights"},"content":{"rendered":"
\n
The 15th CNEX Chinese Documentary Forum<\/strong><\/em> successfully concluded on September 29, 2024 , with a grand award ceremony. After three days of pitching competitions, forums, and lectures, a total of 20 proposals competed for 19 awards.<\/div>\n<\/div>\n
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Taiwanese projects excelled at this year\u2019s forum. Director Paul CHU, along with producers Charlie CHEN and Terris KO, won the \u201cTCCF Award\u201d presented by Taiwan Creative Content Agency (TAICCA) for their proposal\u00a0The Martial Artist<\/em>. Another Taiwanese proposal,\u00a0Echoes from Beyond,<\/em>\u00a0directed by LEE Kang-ling and HSU Huai-min and produced by Lynn CHEN, received a cash award sponsored by the PTS Taiwanese Channel for the first time, with a total prize of NTD 90,000. The proposal\u00a0Nomads of the Island<\/em>, a co-production between Hong Kong and Taiwan directed by Hong Kong director Frankie SIN and produced by veteran documentary producers HUANG Hui-chen and Peter YAM, won a NTD 100,000 cash prize, sponsored for the first time by KOKO Entertainment.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n

\"A\"<\/p>\n<\/div>\n

\u201cTCCF Award\u201d for\u00a0The Martial Artist<\/em><\/div>\n
\u00a0<\/div>\n
\"B\"<\/div>\n
\n
\u201cTAIGI TV Award\u201d for\u00a0Echoes from Beyond<\/em><\/div>\n
\u00a0<\/div>\n<\/div>\n
\"C\"<\/div>\n
\n
\u201cKOKO AWARD\u201d for\u00a0Nomads of the Island<\/em><\/div>\n
\u00a0<\/div>\n<\/div>\n
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\n
Sponsored by CNEX, the \u201cBest Pitch Award\u201c<\/em>, with a cash prize of USD 5,000, was won by the Chinese proposal\u00a0Restless Farewell<\/em>. This project also received the \u201cAIDC Award\u201d and the \u201cTokyo Docs Award\u201d. Likewise sponsored by CNEX, the\u00a0Best International Potential Award<\/em>, also with a total cash prize of USD 5,000, was awarded to\u00a0My Customized Baby<\/em>, a project exploring contemporary social issues. The documentary tells the story of a mother who conceived through sperm donation and follows the life of a \u201ccustomized embryo\u201d child as they grow up.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\u00a0<\/div>\n
\"D\"<\/div>\n
\u201cBest Pitch\u201d for\u00a0Restless Farewell<\/em><\/div>\n
\u00a0<\/div>\n
\"Aidc\"<\/div>\n
\u201cAIDC Award\u201d for\u00a0Restless Farewell<\/em><\/div>\n

\"Tokyo<\/p>\n

\u201cTokyo Docs Award\u201d for\u00a0Restless Farewell<\/em><\/div>\n
\u00a0<\/div>\n
\"E\"<\/div>\n
\u201cBest International Potential Award\u201d for\u00a0My Customized Baby<\/em><\/div>\n
\u200b<\/div>\n
This year\u2019s forum introduced the \u201cAsk Jean Anything Award,\u201d personally established by renowned Chinese-American documentary editor Jean Tsien. Ms. Tsien is a member of the American Cinema Editors (ACE) and a key member of the documentary branch of the Academy of Motion Picture Arts and Sciences. The winning project team will have the opportunity to engage in a one-on-one in-depth discussion with Ms. Tsien. The award was ultimately won by director Zheng Qingyue and producers Yao Lu and Jiang Ruonan for their project\u00a0Lady Lion<\/em>.\u00a0Lady Lion<\/em>\u00a0also received the \u201cIFG Best Impact Potential Second Prize\u201d, with a total cash prize of USD 6,000.<\/div>\n
\u00a0<\/div>\n
\"F\"<\/div>\n
\u201cAsk Jean Anything Award\u201d for\u00a0Lady Lion<\/em><\/div>\n
\u00a0<\/div>\n
\"Ifg<\/div>\n
\u201cIFG Best Impact Potential Second Prize\u201d for\u00a0Lady Lion<\/em><\/div>\n
\u00a0<\/div>\n
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The co-production\u00a0The Yani Tseng Story<\/em>, involving Taiwan, the U.S., South Korea, and Japan, won the \u201cSSD Award\u201d at this year\u2019s forum. Meanwhile, the Chinese proposals\u00a0Sixty Thousand Mile of River<\/em>\u00a0and\u00a0Floating House<\/em>\u00a0received the \u201cFresh Pitch Award\u201d and the \u201cIDF Award,\u201d respectively.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\u00a0<\/div>\n
\"Ssd\"<\/div>\n
\u201cSSD Award\u201d for\u00a0The Yani Tseng Story<\/em><\/div>\n
\u00a0<\/div>\n
\"Fresh<\/div>\n
\u201cFresh Pitch Award\u201d for Sixty Thousand Mile of River<\/em><\/div>\n
\u00a0<\/div>\n
\"Idf\"<\/div>\n
\u201cIDF Award\u201d for\u00a0Floating House<\/em><\/div>\n
\u00a0<\/div>\n
This year, CCDF collaborated for the first time with the music library platform Audio Network to sponsor CCDF and present an award. The award was won by the Chinese proposal\u00a0Becoming Mother<\/em>, granting the winning project access to use music from the Audio Network library for its soundtrack.<\/div>\n
\u00a0<\/div>\n
\"Audio<\/div>\n
\u201cAudio Network Award\u201d for\u00a0Becoming Mother<\/em><\/div>\n
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Additionally, Malaysian director Beatrice LEONG and Indonesian director Ivonne KANI emerged as the biggest winners at this year\u2019s pitching forum with their proposals\u00a0The Myth of Monsters<\/em>\u00a0and\u00a0Me, My Mother\u2019s Favorite Monkey<\/em>, respectively.\u00a0The Myth of Monsters<\/em>\u00a0won the \u201cSheffield Doc\/Fest Award\u201d, the \u201cBilibili x CCDF Best Pitch Award\u201d (totaling USD 5,000), and \u201cIFG Best Impact Potential First Prize\u201d (totaling USD 7,000). Meanwhile,\u00a0Me, My Mom\u2019s Favorite Monkey<\/em>\u00a0received a special award generously provided by veteran Hong Kong filmmaker Edmund Cheung (totaling USD 1,000) and won the \u201cIFG Best Impact Potential Second Prize\u201d (totaling USD 5,000). It also shared the \u201cDoc Edge Award\u201d with\u00a0Freedom Lara.<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\u00a0<\/div>\n
\"G\"\u201cSheffield Doc\/Fest Award\u201d for\u00a0The Myth of Monsters<\/em><\/div>\n
\u00a0<\/div>\n
\"H\"<\/div>\n
\u201cBilibili x CCDF Best Pitch Award\u201d for\u00a0The Myth of Monsters<\/em><\/div>\n
\u00a0<\/div>\n
\n
\"J\"<\/div>\n
\u201cIFG Best Impact Potential First Prize\u201d for\u00a0The Myth of Monsters<\/em><\/div>\n
\u00a0<\/div>\n

\"I\"<\/p>\n<\/div>\n

Special Award for\u00a0Me, My Mother\u2019s Favorite Monkey<\/em><\/div>\n
\u00a0<\/div>\n
\"K\"<\/div>\n
\u201cIFG Best Impact Potential Third Prize\u201d for\u00a0Me, My Mother\u2019s Favorite Monkey<\/em><\/div>\n
\u00a0<\/div>\n
\"Doc<\/div>\n
\u201cDoc Edge Award\u201d for\u00a0Me, My Mother\u2019s Favorite Monkey<\/em><\/div>\n
\u00a0<\/div>\n
\"Doc<\/div>\n
\u201cDoc Edge Award\u201d for\u00a0Freedom Lara<\/em><\/div>\n
\u00a0<\/div>\n
The detailed list of award winners is as follows:<\/div>\n
\u200b<\/div>\n
\n
\uff5cComplete list of CCDF-15\u00a0 and IFG-4 award winners<\/strong>\uff5c<\/strong><\/div>\n
\u00a0<\/div>\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Award<\/strong><\/td>\nProject<\/strong><\/td>\nCountry<\/strong><\/td>\nDirector & Producer<\/strong><\/td>\n<\/tr>\n
\n

\u9322\u8001\u5e2b\u4e0b\u5348\u8336\u734e
\nAsk Jean Anything Award<\/p>\n<\/td>\n

\u7345\u5b50\u592b\u4eba
\nLady Lion<\/td>\n		\u4e2d\u570b\u5927\u9678\u3001\u7f8e\u570b
\nChina \/ USA<\/td>\n		\n

\u5c0e\u6f14 Director\uff5c\u912d\u6674\u6708 ZHENG Qing-yue<\/p>\n

\u88fd\u7247 Producer\uff5c\u59da\u7490 YAO Lu<\/p>\n

\u88fd\u7247 Producer\uff5c\u8523\u82e5\u6960 JIANG Ruo-nan<\/p>\n<\/td>\n<\/tr>\n

\u7279\u5225\u734e
\nSpecial Award<\/td>\n		\n
\u6211\uff0c\u5abd\u5abd\u6700\u559c\u6b61\u7684\u7334\u5b50<\/div>\n
Me, My Mother\u2019s Favorite Monkey<\/div>\n<\/td>\n
\n

\u5370\u5c3c
\nIndonesia<\/p>\n<\/td>\n

\u5c0e\u6f14 Director\u3001\u88fd\u7247 Producer\uff5cIvonne KANI (Vonny KANISIUS)<\/td>\n<\/tr>\n
\u6fb3\u6d32\u7d00\u9304\u7247\u63d0\u6848\u5927\u6703\u63a8\u85a6\u734e
\nAIDC Award<\/td>\n		\u4e0a\u6e38
\nRestless Farewell<\/td>\n		\n

\u4e2d\u570b\u5927\u9678
\nChina<\/p>\n<\/td>\n

\n

\u5c0e\u6f14 Directors\uff5c\u694a\u6960 YANG Nan\u3001\u4f55\u6c9b\u82b8 HE Pei-yun<\/p>\n

\u88fd\u7247 Producer\uff5c\u8b1d\u6292\u8c6a TSE Shu-hao<\/p>\n<\/td>\n<\/tr>\n

\u7d10\u897f\u862d\u908a\u92d2\u7d00\u9304\u7247\u7bc0\u9080\u8acb\u734e
\nDoc Edge Award<\/td>\n		\n
\u6211\uff0c\u5abd\u5abd\u6700\u559c\u6b61\u7684\u7334\u5b50 Me, My Mother\u2019s Favorite Monkey<\/div>\n<\/td>\n
\n

\u5370\u5c3c
\nIndonesia<\/p>\n<\/td>\n

\n

\u5c0e\u6f14 Director\u3001\u88fd\u7247 Producer\uff5cIvonne KANI (Vonny KANISIUS)<\/p>\n<\/td>\n<\/tr>\n

\n
\u9ad8\u6a13\u4e0a\u7684\u5979 Freedom Lara<\/div>\n<\/td>\n
\n

\u4e2d\u570b\u5927\u9678
\nChina<\/p>\n<\/td>\n

\n

\u5c0e\u6f14 Director\uff5c\u8881\u6960\u831c YUAN Nan-xi<\/p>\n

\u88fd\u7247 Producer\uff5c\u9127\u82b7\u7469 DENG Zhi-ying<\/p>\n<\/td>\n<\/tr>\n

\u65b0\u9bae\u63d0\u6848\u9080\u8acb\u734e
\nFresh Pitch Award<\/td>\n		\u516d\u842c\u82f1\u91cc\u7684\u6cb3
\nThe Sixty Thousand Mile River<\/td>\n		\u4e2d\u570b\u5927\u9678
\nChina<\/td>\n		\n

\u5c0e\u6f14 Director\uff5c\u5b6b\u63da SUN Yang<\/span><\/p>\n

\u88fd\u7247 Producer\uff5c\u8a31\u5c0f\u98db XU Xiao-fei<\/p>\n<\/td>\n<\/tr>\n

\u897f\u6e56\u570b\u969b\u7d00\u9304\u7247\u5927\u6703\u734e
\nIDF Award<\/td>\n		\u6d6e\u52d5\u8457\u7684\u623f\u5b50
\nFloating House<\/td>\n		\u4e2d\u570b\u5927\u9678
\nChina<\/td>\n		\u5c0e\u6f14 Director\u3001\u88fd\u7247 Producer\uff5c\u5289\u8212\u535a LIU Shu-bo<\/td>\n<\/tr>\n
\u8b1d\u83f2\u723e\u5fb7\u7d00\u9304\u7247\u96fb\u5f71\u7bc0\u734e
\nSheffield Doc\/Fest Award<\/td>\n		\u602a\u7269\u80cc\u5f8c
\nThe Myth of Monsters<\/td>\n		\u99ac\u4f86\u897f\u4e9e
\nMalaysia<\/td>\n		\u5c0e\u6f14 Director\uff5c\u6881\u7f8e\u5fae Beatrice LEONG<\/td>\n<\/tr>\n
\u6cd5\u570b\u967d\u5149\u7d00\u9304\u7247\u63d0\u6848\u5927\u6703\u734e
\nSSD Award<\/td>\n		\n
\u7403\u540e\u91cd\u751f\u66fe\u96c5\u59ae<\/div>\n
The Yani Tseng Story<\/div>\n<\/td>\n
\u81fa\u7063\u3001\u7f8e\u570b\u3001\u97d3\u570b\u3001\u65e5\u672c
\nTaiwan \/ USA \/ Korea \/ Japan<\/td>\n		\n

\u5c0e\u6f14 Director\uff5c\u9673\u60df\u63da Frank W. CHEN<\/span><\/p>\n

\u88fd\u7247 Producer\uff5c\u984f\u5349\u5a55 Hui-chieh Danielle YEN<\/span><\/p>\n<\/td>\n<\/tr>\n

\u6771\u4eac\u63d0\u6848\u5927\u6703\u734e
\nTokyo Docs Award<\/td>\n		\u4e0a\u6e38
\nRestless Farewell<\/td>\n		\n

\u4e2d\u570b\u5927\u9678
\nChina<\/p>\n<\/td>\n

\n

\u5c0e\u6f14 Directors\uff5c\u694a\u6960 YANG Nan\u3001\u4f55\u6c9b\u82b8 HE Pei-yun<\/p>\n

\u88fd\u7247 Producer\uff5c\u8b1d\u6292\u8c6a TSE Shu-hao<\/p>\n<\/td>\n<\/tr>\n

\n

Audio Network \u734e
\nAudio Network Award<\/p>\n<\/td>\n

\u6210\u70ba\u6bcd\u89aa
\nBecoming Mother\u00a0<\/td>\n		\u7f8e\u570b\u3001\u4e2d\u570b\u5927\u9678
\nUSA \/ China<\/td>\n		\u5c0e\u6f14 Director\u3001\u88fd\u7247 Producer\uff5c\u9673\u9a30 CHEN Teng<\/span><\/td>\n<\/tr>\n
\u6587\u7b56\u9662\u6295\u8cc7\u6a5f\u6703\u734e
\nTCCF Award<\/td>\n		\u6234\u4e0a\u62f3\u5957\u7684\u85dd\u8853\u5bb6
\nThe Martial Artist<\/td>\n		\u81fa\u7063\u3001\u6fb3\u6d32
\nTaiwan \/ Australia<\/td>\n		\n

\u5c0e\u6f14 Director\uff5c\u5468\u62b1\u6a38<\/span>\u00a0Paul CHU<\/span><\/p>\n

\u88fd\u7247 Producers\uff5c\u9673\u67e5\u7406 Charlie CHEN\u3001\u67ef\u5b50\u6021 Terris KO<\/span><\/p>\n<\/td>\n<\/tr>\n

\u516c\u8996\u53f0\u8a9e\u53f0\u734e
\nTAIGI TV Award<\/td>\n		\u4e69\u7de3 Echoes from Beyond<\/td>\n\n

\u81fa\u7063
\nTaiwan<\/p>\n<\/td>\n

\n

\u5c0e\u6f14 Directors\uff5c\u674e\u525b\u9f61<\/span>\u00a0LEE Kang-ling\u3001\u8a31\u61f7\u6c11 HSU Huai-min<\/span><\/p>\n

\u88fd\u7247 Producer\uff5c\u9673\u746d\u7f9a Lynn CHEN<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

\u5927\u6155\u53ef\u53ef\u734e
\nKOKO Award<\/p>\n<\/td>\n

\u5f7c\u5cb8\u4e4b\u5cf6
\nNomads of the Island<\/td>\n		\u9999\u6e2f\u3001\u81fa\u7063
\nHong Kong \/ Taiwan<\/td>\n		\n

\u5c0e\u6f14 Director\uff5c\u51bc\u6f94\u694a<\/span>\u00a0Frankie SIN<\/span><\/p>\n

\u88fd\u7247 Producer\uff5c\u9ec3\u60e0\u5075<\/span>\u00a0HUANG Hui-chen<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

\u55f6\u54e9\u55f6\u54e9 x CCDF \u200b \u6700\u4f73\u63d0\u6848\u734e
\nbilibili x CCDF\u00a0 Best Pitch<\/p>\n<\/td>\n

\u602a\u7269\u80cc\u5f8c
\nThe Myth of Monsters<\/td>\n		\u99ac\u4f86\u897f\u4e9e
\nMalaysia<\/td>\n		\u5c0e\u6f14 Director\uff5c\u6881\u7f8e\u5fae Beatrice LEONG<\/td>\n<\/tr>\n
\u6700\u5177\u570b\u969b\u6f5b\u529b\u734e
\nBest International Potential Award<\/td>\n		\u5b9a\u88fd\u5bf6\u8c9d
\nMy Customized Baby<\/td>\n		\u4e2d\u570b\u5927\u9678
\n\u00a0China<\/td>\n		\n

\u5c0e\u6f14 Director\uff5c\u5289\u975c<\/span>\u00a0Eugenia LIU<\/span><\/p>\n

\u88fd\u7247 Producer\uff5c\u5289\u7fd4 LIU Xiang<\/span><\/p>\n<\/td>\n<\/tr>\n

\u6700\u4f73\u63d0\u6848\u734e\u00a0
\n<\/span>Best Pitch<\/td>\n		\u4e0a\u904a
\nRestless Farewell<\/td>\n		\n

\u4e2d\u570b\u5927\u9678
\nChina<\/p>\n<\/td>\n

\n

\u5c0e\u6f14 Directors\uff5c\u694a\u6960 YANG Nan\u3001\u4f55\u6c9b\u82b8 HE Pei-yun<\/p>\n

\u88fd\u7247 Producer\uff5c\u8b1d\u6292\u8c6a TSE Shu-hao<\/p>\n<\/td>\n<\/tr>\n

IFG \u6700\u5177\u5f71\u97ff\u529b\u6f5b\u529b\u734e\u00a0 \u9996\u734e
\nBest Potential on Impact Making First Prize<\/td>\n		\u602a\u7269\u80cc\u5f8c
\nThe Myth of Monsters<\/td>\n		\u99ac\u4f86\u897f\u4e9e
\nMalaysia<\/td>\n		\u5c0e\u6f14 Director\uff5c\u6881\u7f8e\u5fae Beatrice LEONG<\/td>\n<\/tr>\n
IFG \u6700\u5177\u5f71\u97ff\u529b\u6f5b\u529b\u734e\u00a0 \u8cb3\u734e
\nBest Potential on Impact Making\u00a0 Second Prize<\/td>\n		\u7345\u5b50\u592b\u4eba
\nLady Lion<\/td>\n		\u4e2d\u570b\u5927\u9678\u3001\u7f8e\u570b
\nChina \/ USA<\/td>\n		\n

\u5c0e\u6f14 Director\uff5c\u912d\u6674\u6708 ZHENG Qing-yue<\/p>\n

\u88fd\u7247 Producers\uff5c\u59da\u7490 YAO Lu\u3001\u8523\u82e5\u6960 JIANG Ruo-nan<\/p>\n<\/td>\n<\/tr>\n

IFG \u6700\u5177\u5f71\u97ff\u529b\u6f5b\u529b\u734e\u00a0 \u53c3\u734e
\nBest Potential on Impact Making Third Prize<\/td>\n		\u6211\uff0c\u5abd\u5abd\u6700\u559c\u6b61\u7684\u7334\u5b50 Me, My Mother\u2019s Favorite Monkey<\/td>\n\n

\u5370\u5c3c
\nIndonesia<\/p>\n<\/td>\n

\u5c0e\u6f14 Director\u3001\u88fd\u7247 Producer\uff5cIvonne KANI (Vonny KANISIUS)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Congratulations to the above-winning project teams, and we look forward to seeing more outstanding documentaries join this grand event in the future.<\/p>\n

See you all next year!\u00a0<\/p>\n

 <\/p>\n<\/div>\n<\/div>\n","protected":false},"featured_media":1431,"template":"","class_list":["post-1429","news","type-news","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/hk.cnexdoc.com\/en\/wp-json\/wp\/v2\/news\/1429"}],"collection":[{"href":"https:\/\/hk.cnexdoc.com\/en\/wp-json\/wp\/v2\/news"}],"about":[{"href":"https:\/\/hk.cnexdoc.com\/en\/wp-json\/wp\/v2\/types\/news"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hk.cnexdoc.com\/en\/wp-json\/wp\/v2\/media\/1431"}],"wp:attachment":[{"href":"https:\/\/hk.cnexdoc.com\/en\/wp-json\/wp\/v2\/media?parent=1429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}